ID de tableau:: 1588
Apollo and Daphne Apollon et Daphné c1470 National Gallery, London c1470 Galerie Nationale, Londres 1431-1498 Italian Antonio Pollaiuolo Galleries
ID de tableau:: 29055
Apollo and Daphne Apollon et Daphné mk65
Oil on canvas
80x53"
mk65 Pétrole sur lecanevas 80x53 French
1679-1752
Jean-Francois
De Troy Gallery
ID de tableau:: 31370
Apollo and Daphne Apollon et Daphné nn07
c1470 National Gallery, London nn07 c1470 Galerie Nationale, Londres 1431-1498 Italian Antonio Pollaiuolo Galleries
ID de tableau:: 62062
Apollo and Daphne mk276 1513 Oil Painting 60 x 47.3cm years Wolfsburg Booker Levi Cornell University Italian Mannerist Painter, 1494-ca.1556
ID de tableau:: 82101
Apollo and Daphne Date ca. 1636(1636)
Medium Oil on wood
Dimensions 28.5 x 27.5 cm (11.2 x 10.8 in)
cjr Flemish Baroque Era Painter, 1577-1640
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 82414
Apollo and Daphne ca. 1615-1620 (1600-1625)
Medium Oil on copper of panel
Dimensions 17.5 x 35.5 cm (6.9 x 14 in)
cyf (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 85709
Apollo and Daphne 1636(1636)
Medium Oil on wood
Dimensions 28.5 x 27.5 cm (11.2 x 10.8 in)
cyf Flemish Baroque Era Painter, 1577-1640
